Percussion Ensemble Concert Essay Example | Topics and Well Written Essays - 750 words

Percussion Ensemble plan - Essay ExampleWhile the same group of musicians performed all the item percussion section tracks, there was huge variety within these performances. The first performance was of Christopher Rouses Ku-Ka-Ilimoku. up to now as there was a oversize amount of musicians, the majority of the musicians in this piece or participated in minimal ways. Instead the main(prenominal) focus was on a group of 7-8 musicians. These musicians implemented snares, kettle hole drums, and a variety of wood percussion instruments. The sound was clearly influenced by Polynesian tribal forms. In this way the rhythm advanced finished an upbeat pace, as if the ensemble was performing tribal rituals for a war hunt. The pulsating and upbeat rhythm remained conformable throughout the song. In large part the melody and thematic undercurrents were established through juxtapositions between the specific percussion players. For instance, numerous times the snare and timpani would sto p playing and the only thing that would be realised were the log drums and mallets. Still, in these instances the songs high tempo was maintained. ... While the previous song had a robust and rough around the edges feel, this song was considerably more fragile. Indeed, I considered that the disparity of these songs was so great that outside of a concert hall they would never be performed in the same setting. Even though this song was fragile and minimal, the use of the xylophone al junior-gradeed the percussion ensemble to produce more composite and enjoyable melodies. David Skidmores Ritual Music followed this song. This percussion track primarily implemented the xylophone and timpani drums. One of the most notable aspects of this track was the minimalist beginning. In these regards, the only thing the audience could hear was the clinging of the xylophone. After a few beats the rest of the ensemble joined in the track. To a large part this track was the most experimental track th at was performed throughout the night. The rhythm greatly varied from low tempo to upbeat and frantic. There additionally was not a regular melody to follow, as the musicians preferably focused on texturing the soundscape through innovative percussive techniques. Edgar Vareses ionisation and Christopher Deanes Parallel Isometry followed this tracks. Ionisation used the most traditional percussion arrangement, including snare drums, mallets, cymbals, timpani, and wood block. The song started off with a dampened sound, as if people were wandering around in the dark. In large part this was interesting for the contrast of instrumentality in creating the unique rhythmic progressions. This muffle sound ultimately gave way to a cacophony of noise. The final exam track was Parallel Isometry. While Ionisation used a rough and chaotic sound, this track began with a